Monthly Archives: June 2014

Thank you Louis!

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The Anglo-Saxon verb to strew (spread) and the fruit came to be known as streabergen, straberry, streberie, straibery, straubery, and finally, “STRAWBERRY’ to the English and wow I find straw !!!!!!

Wimbledon traditions include a strict dress code for competitors, the eating of strawberries and cream by the spectators, and Royal patronage.That’s right, strawberries and cream are almost as much identified with Wimbledon as the tennis.

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Strawberries have a history that goes back over 2,200 years. Strawberries grew wild in Italy as long ago as 234 B.C.

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Many of the works of art also include strawberries for symbolic reasons (see photo collage)

Some believe that the name came from the practice of placing straw around the growing plants for protection, others believe the name originated over 1000 years ago because of the runners which spread outward from the plant. The name may have been derived from the Anglo-Saxon verb to strew (spread) and the fruit came to be known as streabergen, straberry, streberie, straibery, straubery, and finally, “STRAWBERRY’ to the English.

Early Roman writers including Pliny and Ovid mention strawberries, but there is no mention of cultivation. The strawberry’s low growing habit spurred the Roman writer Virgil to warn children to look out for serpents lurking in the grass when picking the wild fruit. This association with snakes and other dangerous creatures continued into the 12th century when Saint Hildegard of Germany declared the strawberry unfit for human consumption because it grew on the ground where snakes and toads could slither and crawl upon the fruits.

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Strawberries finally overcame their bad reputation around the 14th century when the first reports of cultivation are recorded. The first major attempts at cultivation are recorded in France in 1368 when King Charles V planted 1200 strawberry plants in the gardens of the Louvre and a few years later when the Duke and Duchess if Burgundy planted thousands of plants at their Dijon estate.

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It’s the time of year when strawberry festivals start popping up around the country. With the proliferation of plump, sweet strawberries to be served in many different ways, perhaps it’s time for our column to mention the silver flatware utensil designed just for this fruit: the strawberry fork.

The strawberry fork’s intended use is to pierce a berry and then dip it into a bowl of whipped cream, sour cream, or sugar. The modern world has added yogurt concoctions for dipping as well. Similar forks are called “fruit forks” and it’s difficult to distinguish between the two. Strawberry forks generally are shorter and narrower than luncheon forks. Most that I’ve seen have three extra long tines although some patterns have only two tines.

Many symbolic interpretations for the strawberries have been put forward.

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Strawberry was the fruit was a symbol of the ephemeral, transient nature of earthly pleasures.

and I’ve been thinking about Hieronymous Bosch and  his The Garden of Earthly Delights

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The Strawberries of Hieronymous Bosch.” These strawberries appear all over the central panel of The Garden of Earthly Delights altarpiece (see detail ).

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and that is perfect start of Wimbledon, sunshine and …………………………… strawberries.

                                                                                                     Enjoy and watch tennis game!

 

 

Glasgow Mela and umbrella

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मेला

Mela (Sanskrit: मेला) is a Sanskrit word meaning ‘gathering’ or ‘to meet’ or a ‘fair’. It is used in the Indian subcontinent for all sizes of gatherings and can be religious, commercial, cultural or sport-related.

Glasgow Mela is a multicultural family festival, based on the traditions of the Indian Sub-continent. Set up in 1990 when Glasgow was European City of Culture, the Mela has grown from being an indoor event at Tramway to an outdoor extravaganza with over 50,000 people attending.

                       Today was the second day of the festival and no one cares about rain.

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My day full of yellow-coloured objects appears to be gold.  I always have habit to find  art conservation everywhere. Also Today you will be surprised how  India yellow patterns show the short distance between Glasgow and Calcutta.

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This India yellow pattern with Indian Yellow colour from Indian Yellow a pigment is a legend and mystery.  This pigment colour is also known as C.I. Natural Yellow 20, Gaugoli, Giallo Indiano, Peori, euxanthic acid, Purree and Purée of India.  Since ancient times in the Far East, Indian yellow was introduced into India from Persia in the fifteenth century. The amateur painter, Roger Dewhurst, recorded the use of Indian yellow in 1786. He noted, in letters to friends, that it was an organic substance made from the urine of animals fed on turmeric and suggested that it should be washed to prepare it for use as a pigment. Its source remained a mystery for many years. Mérimée, in his book on painting of 1830, didn’t believe it was made from urine, in spite of its odor. George Field believed it was made from camel urine. It was not until 1886 that the Journal of the Society of Arts in London embarked on a systematic inquiry of the pigment known as purée of India. An investigator began his search at Calcutta. He was sent to Monghyr, a city in Bengal. There, he found a small group of cattle owners who fed their cows on mango leaves and water.

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The cows’ urine was a bright yellow. They were extremely undernourished as they only received normal fodder occasionally. Other Indian dairy cattle farmers of the same caste despised these ‘colourmen’ and limited their production. They were reportedly producing one thousand to fifteen hundred pounds of the pigment per year but the investigator doubted the production figures when he saw the small number of cows involved.

Due to the color and urine like smell, Indian Yellow had long been rumored to be made from urine of cattle or camels, but the true nature of the pigment was a not really known. The process of making it was kept a secret and there was apparently only one main source for the colour, manufactured by an ”

My day full of yellow-coloured objects appears to be gold.  I always have habit to find  art conservation everywhere. Also Today you will be surprised how  India yellow patterns show the short distance between Glasgow and Calcutta.

This India yellow pattern with Indian Yellow colour from Indian Yellow a pigment is a legend and mystery.  This pigment colour is also known as C.I. Natural Yellow 20, Gaugoli, Giallo Indiano, Peori, euxanthic acid, Purree and Purée of India.  Since ancient times in the Far East, Indian yellow was introduced into India from Persia in the fifteenth century. The amateur painter, Roger Dewhurst, recorded the use of Indian yellow in 1786. He noted, in letters to friends, that it was an organic substance made from the urine of animals fed on turmeric and suggested that it should be washed to prepare it for use as a pigment. Its source remained a mystery for many years. Mérimée, in his book on painting of 1830, didn’t believe it was made from urine, in spite of its odor. George Field believed it was made from camel urine. It was not until 1886 that the Journal of the Society of Arts in London embarked on a systematic inquiry of the pigment known as purée of India. An investigator began his search at Calcutta. He was sent to Monghyr, a city in Bengal. There, he found a small group of cattle owners who fed their cows on mango leaves and water. The cows’ urine was a bright yellow. They were extremely undernourished as they only received normal fodder occasionally. Other Indian dairy cattle farmers of the same caste despised these ‘colourmen’ and limited their production. They were reportedly producing one thousand to fifteen hundred pounds of the pigment per year but the investigator doubted the production figures when he saw the small number of cows involved.

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Cow urine ?????, now in the Indian market as a soft drink. The price Rs 1.20

Due to the color and urine like smell, Indian Yellow had long been rumored to be made from urine of cattle or camels, but the true nature of the pigment was a not really known. The process of making it was kept a secret and there was apparently only one main source for the colour, manufactured by an “Englishman in Calcutta”.

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The Milkmaid was painted by Johannes Vermeer in about 1657–58. The small picture (18 x 16 1/8 in., or 45.5 x 41 cm) could be described as one of the last works of the Delft artist’s formative years (ca. 1654–58)

The Milkmaid c.1660… wrote that Johannes Vermeer  (1632-1675) worked slowly and with great care, using bright colours and sometimes expensive pigments, with a preference for lapis lazuli and Indian yellow, undeniably and exemplified in this work. He is particularly renowned for his masterly treatment and use of light in his work. Against the deep blue folds of heavy fabric, the dots of pigment reflect an alchemist transformation. Vermeer acts like the alchemist, creating objects of greater worth from light and pigment, not only with the pearls but the painting as a whole.

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                                                                                                  Glasgow Ella, Glasgow Mela and ………..no umbrella 🙂

4 June 1989

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Thomas Sarnecki, “Solidarity Poster – “High Noon 4 June 1989″, Making the History of 1989

Today is the 25th anniversary of the nearly-free elections that broke communist power in Poland and which triggered political revolution across east-central Europe in 1989. In the wake of the elections, the communists lost their decades-long monopoly on power that began in the late 1940s. Commenting on the elections, popular actress Joanna Szczepkowska announced on television, “Today, communism has ended in Poland.”

This poster above is one of the most famous and powerful images of the Solidarity campaign was the combination of this iconic American figure (Gary Cooper in the western movie, “High Noon”) with Solidarity text and images. This poster hammered home the message that the June 4 elections offered a stark choice between two opponents and would have momentous consequences for Poland.

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Enemies

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In 1880 the printer and bibliographer William Blades published The Enemies of Books.

http://ebooks.adelaide.edu.au/b/blades/william/enemies-of-books/contents.html

Among the enemies he described are fire, water, gas and heat, dust, ignorance and bookbinders. This book of horrors is a recurring nightmare for book-lovers all over the world and it cannot be denied that these ‘enemies’ are as powerful today as ever were before. The accumulation of books in this century and the continuing threats to the collections have made librarians more aware than ever that measures must be taken to preserve our written heritage.

An interior view of the bombed library at Holland House with readers apparently choosing books regardless of the damage. Fox Photos, a London photographic agency.

An interior view of the bombed library at Holland House with readers apparently choosing books regardless of the damage. Fox Photos, a London photographic agency.

This is true that libraries have suffered at the hands of men, it is equally true that nature has shown its destructive side as well. Many countries in Europe have been hit very hard as a result of First World War (1914-1918) and World War II (1939-1945), many countries in Asia have suffered losses on an equal scale. China has been particularly unfortunate: first, as a result of the Sino-Japanese war which started in 1937, hundreds of thousands of books were lost.

Many times libraries were purged of ‘reactionary, obscene and absurd’ destruction such as  during the Cultural Revolution of the sixties or  took place in Cambodia, following the rise to power of the Khmer Rouge in 1976 and  Afghanistan, after the capital Kabul had been the scene of intense fighting between different factions or Timbuktu  in March 2012.

 

A damaged Timbuktu manuscript saved during the rescue operation.

A damaged Timbuktu manuscript saved during the rescue operation.

The nature has shown its destructive side also.The earthquake which did such heavy damage to Japan in 1923, including the destruction of 700,000 volumes of the Imperial University Library in Tokyo. Among the losses were records of the Tokugawa Government and many manuscripts and old prints. World wide distress was also caused when the river Arno in Italy flooded library basements in Florence. More than 2 million books suffered water damage and restoration is still under way.

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Visiting The Library

I still had a image of  the  Soviet Union’s Academy of Sciences Library in Leningrad from  September  1989 in my mind . I saw first time  fire and water damage  about 3,6 million books and it was may first experience with large scale disaster.

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The building of the Imperial Academy of Sciences in Saint Petersburg on Universitetskaya Embankment. http://en.wikipedia.org/wiki/Russian_Academy_of_Sciences

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The Library of Russian Academy of Sciences – БАН (Библиотека Академии Наук)

The wet books were frozen, until all the freezer space in Leningrad was full. Then an appeal was broadcast over the radio for private citizens to dry the remaining books in their homes. By late March 93% of these books (600,000 by one account and 800,000 by another) had been dried by this means and returned to the library. Only about 10,000 books became mouldy, a small percentage of the total.

10 days ago on Friday 23rd the fire at Glasgow School of Art’s Charles Rennie Mackintosh building was reported at about 12.30pm.

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The main damage was sustained by the west wing, built between 1907 and 1909, with the unique Mackintosh library and studio above it destroyed.

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Flames burst through a window at the Glasgow School of Art’s Charles Rennie Mackintosh building. Photograph: Craig Watson/SNS Group

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The library housed rare and archival materials, including periodicals from the early 19th century and publications about Mackintosh.

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Here’s a photo of how this art nouveau gem formerly looked inside the Glasgow School of Art’s Charles Rennie Mackintosh before and after/ Barry Lewis/In Pictures/Corbis

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 The school said it had been overwhelmed with offers of practical support from conservators and volunteers from Glasgow and around the world, as well as offers of financial assistance.

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Louise Robertson paper conservator with archivists from the Glasgow School of Art have begun the operation to conserve items.

It has set up a Mackintosh Building Fire Fund web page for online donations and anyone wishing to offer support can do so via

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                                                              Following an inspection of the site on Saturday, it was confirmed that the wing built between 1897 and 1899, including the Mackintosh museum and the furniture gallery, has survived intact. The school’s archives have also been saved.

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“Thank You” sign in the distinctive Rennie Mackintosh font was placed round the neck of the firefighter statue outside Glasgow’s Grand Central Hotel.

 Thank you again to  The Scottish Fire and Rescue Service for the  service!!!